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Kim L Pace
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Kim L Pace
Work
About
Texts
Shop
Contact
Work
About
Texts
Shop
Contact
Gathering, 2024. Glazed ceramic & porcelain. 130 x 118 x 6 cm. An alternative family tree - or taxonomical grouping of more-than-human presences. View fullsize

Gathering, 2024. Glazed ceramic & porcelain. 130 x 118 x 6 cm. An alternative family tree - or taxonomical grouping of more-than-human presences.

Interdependency, 2025. Charcoal wall drawing.  223 x 178 cm View fullsize

Interdependency, 2025. Charcoal wall drawing. 223 x 178 cm

Spectral Constellation, 2024. Glazed ceramic. 125 x 95 x 6 cm. View fullsize

Spectral Constellation, 2024. Glazed ceramic. 125 x 95 x 6 cm.

100 Demons, 2023. Mixed media on antique paper. 40 of the series shown here. I’m fascinated by the demon and its relationship to evil; as an entity in religion, folklore, literature and mythology. 100 Demons form a monumental work of floating spirits View fullsize

100 Demons, 2023. Mixed media on antique paper. 40 of the series shown here. I’m fascinated by the demon and its relationship to evil; as an entity in religion, folklore, literature and mythology. 100 Demons form a monumental work of floating spirits that stand for inner psychological states.

Detail, Spectral Constellation, 2024. Glazed ceramic. View fullsize

Detail, Spectral Constellation, 2024. Glazed ceramic.

Family Ties, 2022. Glazed ceramic. How our forebears help shape our lives and identities in the present is an ongoing interest, explored here through a series of imagined portrait heads. View fullsize

Family Ties, 2022. Glazed ceramic. How our forebears help shape our lives and identities in the present is an ongoing interest, explored here through a series of imagined portrait heads.

Family Embers, 2022. Acrylic on canvas. View fullsize

Family Embers, 2022. Acrylic on canvas.

Celestial Family, 2024. Acrylic on canvas. 135 x 120 cm overall. Celestial Family suggests an otherworldly universe inhabited by an ensemble of shadowy, creaturely and at times, demonic, forms. View fullsize

Celestial Family, 2024. Acrylic on canvas. 135 x 120 cm overall. Celestial Family suggests an otherworldly universe inhabited by an ensemble of shadowy, creaturely and at times, demonic, forms.

Constellation, 2022. Glazed ceramic. 135 x 90 x 5 cm. An exploration of kinship, through an alternative ‘family tree’. View fullsize

Constellation, 2022. Glazed ceramic. 135 x 90 x 5 cm. An exploration of kinship, through an alternative ‘family tree’.

Amphora (For Family Secrets), 2024. Glazed ceramic. 46 x 32 x 32 cm. For holding stories and also for catching stories yet to be written or told. View fullsize

Amphora (For Family Secrets), 2024. Glazed ceramic. 46 x 32 x 32 cm. For holding stories and also for catching stories yet to be written or told.

Reclining Figures, 2024. Glazed ceramic & porcelain. 160 x 65 x 28 cm. Re-imagines the sculpture tradition of the reclining figure; however, these figures appear fallen or perhaps struggling to get up. View fullsize

Reclining Figures, 2024. Glazed ceramic & porcelain. 160 x 65 x 28 cm. Re-imagines the sculpture tradition of the reclining figure; however, these figures appear fallen or perhaps struggling to get up.

Leshy's Revenge, 2024. Glazed ceramic. 38 x 28 x 26.5 cm. A Leshy is a Slavic pre-Christian mythical woodland spirit, that protects its environment. View fullsize

Leshy's Revenge, 2024. Glazed ceramic. 38 x 28 x 26.5 cm. A Leshy is a Slavic pre-Christian mythical woodland spirit, that protects its environment.

Red Head, 2022. Glazed ceramic. 39 x 35.5 x 23 cm. View fullsize

Red Head, 2022. Glazed ceramic. 39 x 35.5 x 23 cm.

Easy Peeler, 2022. Glazed ceramic. View fullsize

Easy Peeler, 2022. Glazed ceramic.

Major & Minor (Mother + Daughter), 2022. Glazed porcelain. 90 x 35 x 26 cm. Reflects upon one of the most complicated relationships we have in life. Porcelain suggests strength alongside exquisite delicacy and fragility. View fullsize

Major & Minor (Mother + Daughter), 2022. Glazed porcelain. 90 x 35 x 26 cm. Reflects upon one of the most complicated relationships we have in life. Porcelain suggests strength alongside exquisite delicacy and fragility.

Three Ages of Woman, 2022. Glazed ceramic. 112 x 35 x 30 cm. Using colour & form to connect with the seasons, this 3-element work reflects upon the ageing process & the regenerative cycle of all living things. View fullsize

Three Ages of Woman, 2022. Glazed ceramic. 112 x 35 x 30 cm. Using colour & form to connect with the seasons, this 3-element work reflects upon the ageing process & the regenerative cycle of all living things.

Boulder Girls, 2021. Nine elements. Glazed ceramic. Presented in a grouping that nods to stone circles, this work refers to female ancestry, kinship and the transmission of physical, psychological and life-pattern traits down the generations. View fullsize

Boulder Girls, 2021. Nine elements. Glazed ceramic. Presented in a grouping that nods to stone circles, this work refers to female ancestry, kinship and the transmission of physical, psychological and life-pattern traits down the generations.

Detail, 100 Demons. 2021-23. Mixed media. View fullsize

Detail, 100 Demons. 2021-23. Mixed media.

Spectral Presents (Pink), 2022. 175 x 140 cm. Giving form to the ethereal, the phantasms hover on the border of visibility and play with the idea of what you think you see. View fullsize

Spectral Presents (Pink), 2022. 175 x 140 cm. Giving form to the ethereal, the phantasms hover on the border of visibility and play with the idea of what you think you see.

Spectral Presents (Yellow), 2022. View fullsize

Spectral Presents (Yellow), 2022.

Detail, Spectral Presents (Yellow) View fullsize

Detail, Spectral Presents (Yellow)

Totem, 2022. Glazed ceramic. 40 x 19 x 19 cm. View fullsize

Totem, 2022. Glazed ceramic. 40 x 19 x 19 cm.

Cultivar Horizontalis, 2018. Glazed ceramic. View fullsize

Cultivar Horizontalis, 2018. Glazed ceramic.

Vixx (Vulpes series), 2021. Glazed porcelain. View fullsize

Vixx (Vulpes series), 2021. Glazed porcelain.

Tree Spirit (Verdigris), 2021. From series of 9, all glazed ceramic. View fullsize

Tree Spirit (Verdigris), 2021. From series of 9, all glazed ceramic.

'Tree Spirits' series, glazed ceramic, (2020 - 22) derives from my fascination with forests as places of real and metaphorical darkness; symbolic of the hidden realm of the subconscious. View fullsize

'Tree Spirits' series, glazed ceramic, (2020 - 22) derives from my fascination with forests as places of real and metaphorical darkness; symbolic of the hidden realm of the subconscious.

Tree Spirit (Cherries), 2021. Glazed ceramic. From series of 9. View fullsize

Tree Spirit (Cherries), 2021. Glazed ceramic. From series of 9.

Otik's Quest, 2023. Glazed ceramic. 37 x 30 x 32 cm. Otik derives from a darkly humorous, surreal folk tale about a tree stump believed to be animate. View fullsize

Otik's Quest, 2023. Glazed ceramic. 37 x 30 x 32 cm. Otik derives from a darkly humorous, surreal folk tale about a tree stump believed to be animate.

Cactus Garden, 2021. Glazed ceramic & natural bristles. 
My interest in cacti stems from their incredible resilience, and as metaphoric for inner strength and endurance. View fullsize

Cactus Garden, 2021. Glazed ceramic & natural bristles. My interest in cacti stems from their incredible resilience, and as metaphoric for inner strength and endurance.

Couple, 2018. Glazed ceramic. View fullsize

Couple, 2018. Glazed ceramic.

Daphne Flees Apollo, 2023. Glazed ceramic. 34 x 26 x 24 cm. My reinterpretations of myths and archetypes includes Daphne's flight from Apollo, highlighting themes of empowerment, escape, and transformation.
 View fullsize

Daphne Flees Apollo, 2023. Glazed ceramic. 34 x 26 x 24 cm. My reinterpretations of myths and archetypes includes Daphne's flight from Apollo, highlighting themes of empowerment, escape, and transformation.


Leshies & Spectres, 2021-22. Glazed ceramic. My masks stand for a group of folklorish characters. View fullsize

Leshies & Spectres, 2021-22. Glazed ceramic. My masks stand for a group of folklorish characters.

Brock, 2022. Glazed ceramic. Sited work, in nature reserve, Northamptonshire. View fullsize

Brock, 2022. Glazed ceramic. Sited work, in nature reserve, Northamptonshire.

Barny 2, 2022. Sited ceramic sculpture,  in nature reserve, Northamptonshire. View fullsize

Barny 2, 2022. Sited ceramic sculpture, in nature reserve, Northamptonshire.

Night Warbler, 2022. Ceramic sited work, in nature reserve, Northamptonshire. View fullsize

Night Warbler, 2022. Ceramic sited work, in nature reserve, Northamptonshire.

Augmented Reality app, 2022. Virtual sculpture; development funded by Arts Council England. View fullsize

Augmented Reality app, 2022. Virtual sculpture; development funded by Arts Council England.

Lemon Soul, 2019. Glazed ceramic. View fullsize

Lemon Soul, 2019. Glazed ceramic.

Jacobin Hoods, 2020. Sited ceramic sculpture View fullsize

Jacobin Hoods, 2020. Sited ceramic sculpture

Cultivar Major, 2018. Glazed ceramic. View fullsize

Cultivar Major, 2018. Glazed ceramic.

Cactaceae 1, 2016 & Cactaceae 2, 2017. Glazed ceramic & natural bristles. My interest in cactus plants stems from associations with incredible resilience and the ability to withstand harsh conditions. View fullsize

Cactaceae 1, 2016 & Cactaceae 2, 2017. Glazed ceramic & natural bristles. My interest in cactus plants stems from associations with incredible resilience and the ability to withstand harsh conditions.

Witnesses, 2018 - 19. Glazed ceramic. View fullsize

Witnesses, 2018 - 19. Glazed ceramic.

Sour Blue, 2018. Glazed ceramic. From 'Witnesses' series View fullsize

Sour Blue, 2018. Glazed ceramic. From 'Witnesses' series

Drues, 2018. Glazed ceramic. View fullsize

Drues, 2018. Glazed ceramic.

Detail, Halloween. From Australians series. View fullsize

Detail, Halloween. From Australians series.

Australians, 2019-21. Glazed ceramic. View fullsize

Australians, 2019-21. Glazed ceramic.

Entities, 2017. Glazed ceramic. View fullsize

Entities, 2017. Glazed ceramic.

Ripe Sours & Fecund Roots, 2018. Glazed ceramic. View fullsize

Ripe Sours & Fecund Roots, 2018. Glazed ceramic.

Canine Aryballos 2019. Glazed ceramic 40 x 22 x 22. View fullsize

Canine Aryballos 2019. Glazed ceramic 40 x 22 x 22.

Detail, Pollinators, 2019 View fullsize

Detail, Pollinators, 2019

Pollinators, 2019. Glazed ceramic. Series of 9 works, presented as a group. View fullsize

Pollinators, 2019. Glazed ceramic. Series of 9 works, presented as a group.

Detail, Pucks, Sprites and Spectres, 2019. View fullsize

Detail, Pucks, Sprites and Spectres, 2019.

Pucks, Sprites and Spectres, 2019. Watercolour on paper series, 12 in total. View fullsize

Pucks, Sprites and Spectres, 2019. Watercolour on paper series, 12 in total.

Tuber 5, 2019. Charcoal on paper. From a series of drawings, that take the theme of Tubers, unearthed, as we might dig up what is hidden or repressed. View fullsize

Tuber 5, 2019. Charcoal on paper. From a series of drawings, that take the theme of Tubers, unearthed, as we might dig up what is hidden or repressed.

Mandrake Spring, 2018. Mixed media on paper. View fullsize

Mandrake Spring, 2018. Mixed media on paper.

The Drawer, 2019. Drawing publication. Features a short piece of writing about plants and roots dug up, like something repressed being brought forth alongside 'Mandrake Spring' (collage/ drawing) and works from 'Tubers' series of drawings. View fullsize

The Drawer, 2019. Drawing publication. Features a short piece of writing about plants and roots dug up, like something repressed being brought forth alongside 'Mandrake Spring' (collage/ drawing) and works from 'Tubers' series of drawings.

Towards The Unknown Region, 2016. Ink and digital collage. View fullsize

Towards The Unknown Region, 2016. Ink and digital collage.

The Company of Strangers, 2012. Mixed media. View fullsize

The Company of Strangers, 2012. Mixed media.

For Your Pleasure, 2012. Mixed media. View fullsize

For Your Pleasure, 2012. Mixed media.

Let It Out, 2012. Animated film. View fullsize

Let It Out, 2012. Animated film.

In Search of Lost Time, 2012. Animated film. View fullsize

In Search of Lost Time, 2012. Animated film.

Depth Wish, 2009. Animated film. Part of 'Sea Change' solo exhibition, Berwick Gymnasium Art Gallery Fellowship. View fullsize

Depth Wish, 2009. Animated film. Part of 'Sea Change' solo exhibition, Berwick Gymnasium Art Gallery Fellowship.

Clone, 2008. Animated film. View fullsize

Clone, 2008. Animated film.

Tabby-Tha, 2008. Animated film. View fullsize

Tabby-Tha, 2008. Animated film.

Changeling, 2008. Animated film. View fullsize

Changeling, 2008. Animated film.

Masqueraders, 2012. Artist book. 30 pages, stapled, full colour. View fullsize

Masqueraders, 2012. Artist book. 30 pages, stapled, full colour.

Trick or Treat, 2005. Artist book. 42 pages, glue binding with soft cover. View fullsize

Trick or Treat, 2005. Artist book. 42 pages, glue binding with soft cover.

Installation of The Amazing Power of Deliberate Intent, 2012. Series of 45 drawings. Part of solo exhibition Work on Paper, Phoenix Art Space, Brighton. View fullsize

Installation of The Amazing Power of Deliberate Intent, 2012. Series of 45 drawings. Part of solo exhibition Work on Paper, Phoenix Art Space, Brighton.

Gathering, 2024. Glazed ceramic & porcelain. 130 x 118 x 6 cm. An alternative family tree - or taxonomical grouping of more-than-human presences.
Interdependency, 2025. Charcoal wall drawing.  223 x 178 cm
Spectral Constellation, 2024. Glazed ceramic. 125 x 95 x 6 cm.
100 Demons, 2023. Mixed media on antique paper. 40 of the series shown here. I’m fascinated by the demon and its relationship to evil; as an entity in religion, folklore, literature and mythology. 100 Demons form a monumental work of floating spirits
Detail, Spectral Constellation, 2024. Glazed ceramic.
Family Ties, 2022. Glazed ceramic. How our forebears help shape our lives and identities in the present is an ongoing interest, explored here through a series of imagined portrait heads.
Family Embers, 2022. Acrylic on canvas.
Celestial Family, 2024. Acrylic on canvas. 135 x 120 cm overall. Celestial Family suggests an otherworldly universe inhabited by an ensemble of shadowy, creaturely and at times, demonic, forms.
Constellation, 2022. Glazed ceramic. 135 x 90 x 5 cm. An exploration of kinship, through an alternative ‘family tree’.
Amphora (For Family Secrets), 2024. Glazed ceramic. 46 x 32 x 32 cm. For holding stories and also for catching stories yet to be written or told.
Reclining Figures, 2024. Glazed ceramic & porcelain. 160 x 65 x 28 cm. Re-imagines the sculpture tradition of the reclining figure; however, these figures appear fallen or perhaps struggling to get up.
Leshy's Revenge, 2024. Glazed ceramic. 38 x 28 x 26.5 cm. A Leshy is a Slavic pre-Christian mythical woodland spirit, that protects its environment.
Red Head, 2022. Glazed ceramic. 39 x 35.5 x 23 cm.
Easy Peeler, 2022. Glazed ceramic.
Major & Minor (Mother + Daughter), 2022. Glazed porcelain. 90 x 35 x 26 cm. Reflects upon one of the most complicated relationships we have in life. Porcelain suggests strength alongside exquisite delicacy and fragility.
Three Ages of Woman, 2022. Glazed ceramic. 112 x 35 x 30 cm. Using colour & form to connect with the seasons, this 3-element work reflects upon the ageing process & the regenerative cycle of all living things.
Boulder Girls, 2021. Nine elements. Glazed ceramic. Presented in a grouping that nods to stone circles, this work refers to female ancestry, kinship and the transmission of physical, psychological and life-pattern traits down the generations.
Detail, 100 Demons. 2021-23. Mixed media.
Spectral Presents (Pink), 2022. 175 x 140 cm. Giving form to the ethereal, the phantasms hover on the border of visibility and play with the idea of what you think you see.
Spectral Presents (Yellow), 2022.
Detail, Spectral Presents (Yellow)
Totem, 2022. Glazed ceramic. 40 x 19 x 19 cm.
Cultivar Horizontalis, 2018. Glazed ceramic.
Vixx (Vulpes series), 2021. Glazed porcelain.
Tree Spirit (Verdigris), 2021. From series of 9, all glazed ceramic.
'Tree Spirits' series, glazed ceramic, (2020 - 22) derives from my fascination with forests as places of real and metaphorical darkness; symbolic of the hidden realm of the subconscious.
Tree Spirit (Cherries), 2021. Glazed ceramic. From series of 9.
Otik's Quest, 2023. Glazed ceramic. 37 x 30 x 32 cm. Otik derives from a darkly humorous, surreal folk tale about a tree stump believed to be animate.
Cactus Garden, 2021. Glazed ceramic & natural bristles. 
My interest in cacti stems from their incredible resilience, and as metaphoric for inner strength and endurance.
Couple, 2018. Glazed ceramic.
Daphne Flees Apollo, 2023. Glazed ceramic. 34 x 26 x 24 cm. My reinterpretations of myths and archetypes includes Daphne's flight from Apollo, highlighting themes of empowerment, escape, and transformation.

Leshies & Spectres, 2021-22. Glazed ceramic. My masks stand for a group of folklorish characters.
Brock, 2022. Glazed ceramic. Sited work, in nature reserve, Northamptonshire.
Barny 2, 2022. Sited ceramic sculpture,  in nature reserve, Northamptonshire.
Night Warbler, 2022. Ceramic sited work, in nature reserve, Northamptonshire.
Augmented Reality app, 2022. Virtual sculpture; development funded by Arts Council England.
Lemon Soul, 2019. Glazed ceramic.
Jacobin Hoods, 2020. Sited ceramic sculpture
Cultivar Major, 2018. Glazed ceramic.
Cactaceae 1, 2016 & Cactaceae 2, 2017. Glazed ceramic & natural bristles. My interest in cactus plants stems from associations with incredible resilience and the ability to withstand harsh conditions.
Witnesses, 2018 - 19. Glazed ceramic.
Sour Blue, 2018. Glazed ceramic. From 'Witnesses' series
Drues, 2018. Glazed ceramic.
Detail, Halloween. From Australians series.
Australians, 2019-21. Glazed ceramic.
Entities, 2017. Glazed ceramic.
Ripe Sours & Fecund Roots, 2018. Glazed ceramic.
Canine Aryballos 2019. Glazed ceramic 40 x 22 x 22.
Detail, Pollinators, 2019
Pollinators, 2019. Glazed ceramic. Series of 9 works, presented as a group.
Detail, Pucks, Sprites and Spectres, 2019.
Pucks, Sprites and Spectres, 2019. Watercolour on paper series, 12 in total.
Tuber 5, 2019. Charcoal on paper. From a series of drawings, that take the theme of Tubers, unearthed, as we might dig up what is hidden or repressed.
Mandrake Spring, 2018. Mixed media on paper.
The Drawer, 2019. Drawing publication. Features a short piece of writing about plants and roots dug up, like something repressed being brought forth alongside 'Mandrake Spring' (collage/ drawing) and works from 'Tubers' series of drawings.
Towards The Unknown Region, 2016. Ink and digital collage.
The Company of Strangers, 2012. Mixed media.
For Your Pleasure, 2012. Mixed media.
Let It Out, 2012. Animated film.
In Search of Lost Time, 2012. Animated film.
Depth Wish, 2009. Animated film. Part of 'Sea Change' solo exhibition, Berwick Gymnasium Art Gallery Fellowship.
Clone, 2008. Animated film.
Tabby-Tha, 2008. Animated film.
Changeling, 2008. Animated film.
Masqueraders, 2012. Artist book. 30 pages, stapled, full colour.
Trick or Treat, 2005. Artist book. 42 pages, glue binding with soft cover.
Installation of The Amazing Power of Deliberate Intent, 2012. Series of 45 drawings. Part of solo exhibition Work on Paper, Phoenix Art Space, Brighton.

All website content © Kim L Pace 2025

Images of the artworks & texts featured on this website are copyright of the artist.