Gathering, 2024. Glazed ceramic & porcelain. 130 x 118 x 6 cm. An alternative family tree - or taxonomical grouping of more-than-human presences.
Charcoal wall drawing, 2025. 234 x 116 cm.
Reclining Figures, 2024. Glazed ceramic & porcelain. 160 x 65 x 28 cm. Re-imagines the sculpture tradition of the reclining figure; however, these figures appear fallen or perhaps struggling to get up.
Family Ties, 2022. Glazed ceramic. How our forebears help shape our lives and identities in the present is an ongoing interest, explored here through a series of imagined portrait heads.
Constellation, 2022. Glazed ceramic. 135 x 90 x 5 cm. An exploration of kinship, through an alternative ‘family tree’.
Heart of a Demon (With Snake Stopper), 2023. Glazed ceramic.
Amphora (For Family Secrets), 2024. Glazed ceramic. 46 x 32 x 32 cm. For holding stories and also for catching stories yet to be written or told.
Leshy's Revenge, 2024. Glazed ceramic. 38 x 28 x 26.5 cm. A Leshy is a Slavic pre-Christian mythical woodland spirit, that protects its environment.
Red Head, 2022. Glazed ceramic. 39 x 35.5 x 23 cm.
Spectral Constellation, 2024. Glazed ceramic. 125 x 95 x 6 cm.
Detail, Spectral Constellation, 2024. Glazed ceramic.
Easy Peeler, 2022. Glazed ceramic.
Major & Minor (Mother + Daughter), 2022. Glazed porcelain. 90 x 35 x 26 cm. Reflects upon one of the most complicated relationships we have in life. Porcelain suggests strength alongside exquisite delicacy and fragility.
Three Ages of Woman, 2022. Glazed ceramic. 112 x 35 x 30 cm. Using colour & form to connect with the seasons, this 3-element work reflects upon the ageing process & the regenerative cycle of all living things.
Boulder Girls, 2021. Nine elements. Glazed ceramic. Presented in a grouping that nods to stone circles, this work refers to female ancestry, kinship and the transmission of physical, psychological and life-pattern traits down the generations.
Celestial Family, 2024. Acrylic on canvas. 135 x 120 cm overall. Celestial Family suggests an otherworldly universe inhabited by an ensemble of shadowy, creaturely and at times, demonic, forms.
Detail, 100 Demons. 2021. Mixed media.
Spectral Presents (Pink), 2022. 175 x 140 cm. Giving form to the ethereal, the phantasms hover on the border of visibility and play with the idea of what you think you see.
Family Embers, 2022. Acrylic on canvas.
Spectral Presents (Yellow), 2022.
Detail, Spectral Presents (Yellow)
Totem, 2022. Glazed ceramic. 40 x 19 x 19 cm.
Cultivar Horizontalis, 2018. Glazed ceramic.
Vixx (Vulpes series), 2021. Glazed porcelain.
Sea Nymph (Neso), 2021. Glazed ceramic.
Sea Nymph (Cymo), 2021. Glazed ceramic.
Tree Spirit (Verdigris), 2021. From series of 9, all glazed ceramic.
'Tree Spirits' series, glazed ceramic, (2020 - 22) derives from my fascination with forests as places of real and metaphorical darkness; symbolic of the hidden realm of the subconscious.
Tree Spirit (Cherries), 2021. Glazed ceramic. From series of 9.
Otik's Quest, 2023. Glazed ceramic. 37 x 30 x 32 cm. Otik derives from a darkly humorous, surreal folk tale about a tree stump believed to be animate.
Cactus Garden, 2021. Glazed ceramic & natural bristles. My interest in cacti stems from their incredible resilience, and as metaphoric for inner strength and endurance.
Couple, 2018. Glazed ceramic.
Drues, 2018. Glazed ceramic.
Daphne Flees Apollo, 2023. Glazed ceramic. 34 x 26 x 24 cm. My reinterpretations of myths and archetypes includes Daphne's flight from Apollo, highlighting themes of empowerment, escape, and transformation.
Leshies & Spectres, 2021-22. Glazed ceramic. My masks stand for a group of folklorish characters.
Brock, 2022. Glazed ceramic. Sited work, in nature reserve, Northamptonshire.
Barny 2, 2022. Sited ceramic sculpture, in nature reserve, Northamptonshire.
Night Warbler, 2022. Ceramic sited work, in nature reserve, Northamptonshire.
Augmented Reality app, 2022. Virtual sculpture; development funded by Arts Council England.
Jacobin Hoods, 2020. Sited ceramic sculpture
Cultivar Major, 2018. Glazed ceramic.
Cactaceae 1, 2016 & Cactaceae 2, 2017. Glazed ceramic & natural bristles. My interest in cactus plants stems from associations with incredible resilience and the ability to withstand harsh conditions.
Witnesses, 2018 - 19. Glazed ceramic.
Sour Blue, 2018. Glazed ceramic. From 'Witnesses' series
Detail, Halloween. From Australians series.
Australians, 2019-21. Glazed ceramic.
Entities, 2017. Glazed ceramic.
Lemon Soul, 2019. Glazed ceramic.
Ripe Sours & Fecund Roots, 2018. Glazed ceramic.
Canine Aryballos 2019. Glazed ceramic 40 x 22 x 22.
Pollinators, 2019. Glazed ceramic. Series of 9 works, presented as a group.
Detail, Pollinators, 2019
Detail, Pucks, Sprites and Spectres, 2019.
Pucks, Sprites and Spectres, 2019. Watercolour on paper series, 12 in total.
Tuber 5, 2019. Charcoal on paper. From a series of drawings, that take the theme of Tubers, unearthed, as we might dig up what is hidden or repressed.
The Drawer, 2019. Drawing publication. Features a short piece of writing about plants and roots dug up, like something repressed being brought forth alongside 'Mandrake Spring' (collage/ drawing) and works from 'Tubers' series of drawings.
Mandrake Spring, 2018. Mixed media on paper.
Towards The Unknown Region, 2016. Ink and digital collage.
The Company of Strangers, 2012. Mixed media.
For Your Pleasure, 2012. Mixed media.
Let It Out, 2012. Animated film.
In Search of Lost Time, 2012. Animated film.
Depth Wish, 2009. Animated film. Part of 'Sea Change' solo exhibition, Berwick Gymnasium Art Gallery Fellowship.
Clone, 2008. Animated film.
Tabby-Tha, 2008. Animated film.
Changeling, 2008. Animated film.
Masqueraders, 2012. Artist book. 30 pages, stapled, full colour.
Trick or Treat, 2005. Artist book. 42 pages, glue binding with soft cover.
Installation of The Amazing Power of Deliberate Intent, 2012. Series of 45 drawings. Part of solo exhibition Work on Paper, Phoenix Art Space, Brighton.